ABOUT

I’m a dialogue editor and sound designer focused on the subtle details that shape how stories feel. Homemade Sounds grew out of a fascination with the things people often overlook in audio — the sound of a room settling at night, the pacing of silence, the texture of a voice, the imperfections that make something feel human. My work combines technical precision with a strong focus on atmosphere, performance, and emotional clarity.

I’ve worked across podcasts, film, television, branded content, and immersive media, contributing to award-winning productions including Run, Fool!, Radical, and The Knight Stories. These projects required more than clean audio. They called for restraint, careful editing, and an understanding of how sound supports storytelling without pulling attention away from it. A distant train. Fluorescent hum. Someone taking a breath before saying the thing they’ve been avoiding. I’m drawn to work that feels lived in. Stories with rough edges. Voices that crack a little. The sound of a room telling its own story before anyone says a word.

A large part of audio post-production is invisible work — removing distractions, repairing problems, creating continuity from imperfect recordings. What interests me most is shaping the emotional rhythm underneath it all: finding the silence that gives a moment weight, the texture that makes a scene believable, the detail a listener may not consciously notice but still carries with them afterward. My influences come from cinema, documentary storytelling, horror, experimental sound art, and the strange music hidden inside ordinary life — rain against windows, old answering machines, tape hiss, late-night diners nearly empty except for the sound of silverware and coffee cups. I believe good audio shouldn’t demand attention. It should stay close to the story, like weather outside another room.